Category Archives: Writers and the like

10 Rules for Writing from Jesus, the author and finisher of my faith.

‘looking to Jesus, the author and finisher of our faith…’ Hebrews 12:2

Here are some tips that you can choose to apply to your writing. Decide for yourself.

Write so that your product will provide consumers with joy. 
Galatians 5:22-23 But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faith, 23 gentleness, self-control. Against such things there is no law.

Write what is in your heart. Don’t write what you think people will like or to please other people. Follow your heart when you write and be true to who you are and what you want to say. 
Luke 6:45 A good man produces good out of the good storeroom of his heart. An evil man produces evil out of the evil storeroom, for his mouth speaks from the overflow of the heart.

Believe in your vision for what you want to write. 
The Apostle John was directed in writing the book of Revelation to “Therefore write what you have seen, what is, and what will take place after this.” Revelation 1:19

Learn the art of writing. Practice the discipline of writing. 
Proverbs 23:12 Apply yourself to discipline and listen to words of knowledge.

To communicate a message understand what you are saying. Be sincere, have a clear conscience, and seek to find the purist form in your words. Avoid abstract, vague, confusing language. The Apostle Paul uses this advice when sharing with Timothy how he should stay true to the message they are supposed to be teaching. 
1 Timothy 1:5-7 Now the goal of our instruction is love that comes from a pure heart, a good conscience, and a sincere faith. 6 Some have deviated from these and turned aside to fruitless discussion. 7 They want to be teachers of the law, although they don’t understand what they are saying or what they are insisting on.

Think of your writing as a sacrificial gift to others, and expect to be paid what it is worth. 
Acts 20:35 includes part of the Apostle Paul’s direction to the church elders in Ephesus. In it he states “In every way I’ve shown you that by laboring like this, it is necessary to help the weak and to keep in mind the words of the Lord Jesus, for He said, ‘It is more blessed to give than to receive.’ ”. 
Likewise when Paul wrote to the churches in Galatia he advised them similarly “For each person will have to carry his own load. 6 The one who is taught the message must share all his good things with the teacher. 7 Don’t be deceived: God is not mocked. For whatever a man sows he will also reap,” Galatians 6:5-7a.

Apply careful investigation to what you write.
The Gospel attributed to Luke begins with this explanation: “Many have undertaken to compile a narrative about the events that have been fulfilled among us, 2 just as the original eyewitnesses and servants of the word handed them down to us. 3 It also seemed good to me, since I have carefully investigated everything from the very first, to write to you in an orderly sequence, most honorable Theophilus, 4 so that you may know the certainty of the things about which you have been instructed.” Luke 1:1-4

Have a clear and specific purpose for everything you write.
Joshua 18:4 Provide for yourselves three men from each tribe that I may send them, and that they may arise and walk through the land and write a description of it according to their inheritance; then they shall return to me.

Write when you find yourself most challenged. Write when it seems like it’s the last thing you should do. When in doubt, write. No matter what excuse you have not to write, write anyway.
Here in John 8:6 is an example of what Jesus did: “They were saying this, testing Him, so that they might have grounds for accusing Him. But Jesus stooped down and with His finger wrote on the ground.”

Write for a higher standard. 1 Corinthians 4:3-5 “It is of little importance to me that I should be evaluated by you or by any human court. In fact, I don’t even evaluate myself. 4 For I am not conscious of anything against myself, but I am not justified by this. The One who evaluates me is the Lord.”

Foundations @ Write A House

My computer desktop image is of an old stone foundation overtaken by greenery, a former homestead of Washington Irving, which I hiked to a number of summers ago during a residency in the Catskills. The spot wasn’t terribly well marked, and I had to dig for it a bit, so I spent most of the morning seeking out what would have been a former house, next to a stream, before chancing upon the rock Rip Van Winkle was said to have napped on. (Superstitiously, I did not indulge the urge to test it.)

The discovery of the homestead felt somehow pivotal, and I knew when I snapped the image on my cameraphone that I would want to look at it every day: flat stone foundations are so sensical, aren’t they? Find yourself some level ground and nestle the rocks in a bit, build up a wall that way, then create a whole room, carefully manipulating the earth against your construction materials in anticipation of your future needs. I don’t know what it’s like for a doctor or an accountant or an urban planner, but for a writer those needs are ultimately quite simple: a space in which one can hear one’s own thoughts, not too distant from “the action,” but not central to it, either. The meaning of home solidified for me then, implying a state of activity as opposed to a static condition. Like being awake. Like love.

I’d never considered the concept of home so deeply before. At the time, I was traveling 200 days out of the year, and when I did my taxes, I occasionally discovered that I had conducted business in languages I could not later identify. I was working in Germany, Cambodia, the Republic of Georgia, and Finland, with only days between trips to rest in Chicago before a lecture in New York City or a conference in Vienna or a book event in Los Angeles or a “vacation” in some place I had selected because I had never been anywhere like it before and didn’t know what life there might be like. Washington Irving’s stone foundation became a talisman for me—a guidepost at first some great distance off, later more clearly outlined through the haze—a beacon to a single place I might wish to return to, some flat ground soft enough to nestle stones into. I loved my exciting life, do not get me wrong, and was having far too much fun to change it in anyway, but I did look around at least once during every one of those 200 days and wonder if the place I was in might eventually become my home. It never did, and after several years my computer desktop image was still the only thing I saw, consistently, every single day: the purely ephemeral digital nature of the pic belying a steadfastness I was coming to crave.

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Write A House in detroit

The quoted description below was taken from writeahouse.com

DONATE HERE
Our mission is simple: to leverage Detroit’s available housing in creative ways to bolster an emerging literary community to benefit the City of Detroit and its neighborhoods. We enliven the literary arts of Detroit by renovating homes and giving them to authors, journalists, poets, aka writers. It’s like a writer-in-residence program, only in this case we’re actually giving the writer the residence, forever.
Project Mission

Write-A-House (WAH) is a Detroit based organization that seeks to teach and support trade crafts and literary creativity. Our key tactic involves leveraging the easy availability of distressed housing in order to promote vocational education, home ownership, neighborhood stabilization, and creative arts. In short, WAH will work to support a more vibrant literary arts community that lives at a grassroots level and helps Detroit’s neighborhoods.

Project Goal

WAH seeks to (1) educate the under-employed on carpentry and building skills (2) use those skills to renovate Detroit city homes and (3) award those homes to writers. Like any literary community, writers will be awarded based on their writing and their desire to be here. WAH seeks to support low-income writers by awarding at least three homes each year. We will also publish a journal of arts and creative non-fiction to document the process, work to determine a sustainable and green approach to home renovation, and connect writers to support a more vibrant literary community in Detroit. Our long, long term goal involves building a literary colony in Detroit, but let’s not get ahead of ourselves.

what “there is a reaper” reminds us of

FOREWORD
I don’t know why I am writing this; it likely will never be read by any other person. I am doing it entirely for myself, in memoriam
of a life well lived, a son sorely missed and greatly mourned.
Some would say his life was too short, or that he never had a imagechance. . .oh what might have been. . . .
I say he lived his life as fully as any man woman or child on this Earth. It was his life, and it was complete, and it was perfect.

The excerpt above taken from Michael Lynes’ book talks about inspiration as frankly as one might depict it.  However  it doesn’t tell us what to do.  It isn’t about self help.  And while it doesn’t preach to us it also makes no attempt to tell us how to think.  Yet think you will when you read about the life of a child taken so pitilessly from a loving home.

So how can the experience effect you, reading about the great triumph and tragedy of  strangers?  It reminds some of us that life’s precious moments are not to be wasted.  It teaches others to act before it’s too late.  Why do so many people seem to fret away infinite numbers of hours accomplishing nothing?  For each such soul how many others can we point to who never get the chance, their total existence not extended beyond childhood?

I’m struck with the thought of a person who chooses to do the absolute least for everyone and everything thing they encounter, and you know who I’m thinking about, because you’ve met ’em.

Is it okay, do you think? What must we say to them?

I will say this to myself.  Do not forget, not for a moment.  Redeem the time.

Taking My Time: On The Folded Clock by Heidi Julavits

I hope you will capture Today

Assay: A Journal of Nonfiction Studies

Randon Billings Noble author photo

Randon Billings Noble is an essayist. Her work has appeared in the Modern Love column of The New York Times; Brain, Child; The Georgia Review; Shenandoah; The Rumpus; Brevity; Fourth Genre and elsewhere.  She is a nonfiction editor at r.kv.r.y quarterly, Reviews Editor at PANK, and a reviewer for The A.V. Club.  You can read more of her work at www.randonbillingsnoble.com.


30 April

Today I read to page 32 in The Folded Clock and loved it so much I started writing a letter to a friend – a real letter, not an email or message or text – to tell her about it.  This friend and I used to live in the same city, but now we don’t, so we write letters to each other maybe once a month or so.

I like to write letters. I like addressing the envelope, picking out a stamp that fits the…

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The Lady from Zagreb – Germany, Switzerland and Yugoslavia -Philip Kerr

Because I am a fan of Philip Kerr

The book trail

untitled

Why a booktrail?

The tenth Bernie Gunther mystery  and the search for a German actress hiding in Zurich. Under Goebbels orders…..

Story in a nutshell

In 1942, there are many worse places to be than Zurich, and detective Bernie Gunther has seen his fair share of them. So when a superior asks him to track down a glamorous German actress believed to be hiding in Zurich, he takes the job. Not that he has much choice: the superior is Goebbels himself.

Soon Bernie finds himself involved in something much more sinister for the actress turns out to be the daughter of a fanatical Croatian fascist, the sadistic commandant of a notorious concentration camp.

Now the Swiss police ask for Bernie’s help on a cold case they have. One with connections to some powerful people back in the Reich.

Place and setting

FRANCE - La Ciotat - http://www.edentheatre.org/ The Eden theatre which is the oldest cinema in Europe and was where the Lumiere brothers showed their first film according to the novel. Where the novel opens GERMANY - Berlin - Babelsberg studios - http://www.studiobabelsberg.com/en/ Where the actress Dalia in the novel works and where Goebels meets her CROATIA - Zagreb The Church of St Mark in Zagreb is one of the old roman catholic curchs tat Gunther says there are more of here than in the VAtican telephone directory. St Marls is the one with the fairystory roof which seems to be made from haribo sweets. CROATIA - Pula,  Istria - where Dalia was born SWITZERLAND - Zurich Gunther often walks near Lake Zurich to people watch and visits the town of Rapperswill which he describes as a charming cuckoo clock town on the north shoreFRANCE – La Ciotathttp://www.edentheatre.org/
The Eden…

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Do Book Review Bloggers Need Credentials?

Thought provoking commentary about an LARB piece.

Los Angeles Review of Books

The Misfortune Of Knowing

Graffiti Reviews_Courting SamiraThis week, the blogosphere and Twitter have been abuzz about a pompous piece in the Los Angeles Review of Books* by William Giraldi that likened book bloggers to leeches on literature and our medium—the internet—as “a bog to wiggle around in.” If you want a good laugh, read his description of the current climate of literary criticism as:

a climate in which the Net has spawned a cacophony of gabble impersonating literary comment, palaver and vulgate enough to warp you. Literature has always had its leeches, except now the Net has given every one of them a bog to wiggle around in. This wouldn’t be any more of an issue than it is to ignore the wastrel on the corner dispensing pamphlets on anarchy, but as respectable print publications either prune their space for book commentary or else go extinct altogether, more and more criticism — like more and more…

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Murder At Cirey

A freshly reviewed mystery

Brayton's Book Buzz

Murder at Cirey_Cheryl Sawyer_Cover and text

By Cheryl Sawyer

Cheryl Sawyer_authpic

http://www.cherylhingley.com

NOTE: Before I proceed with the review I wish to compliment Ms. Hingley on her email request. It was one of the main reasons I chose to accept this book for review. As I’ve mentioned in other reviews, I hesitate when it comes to historical mysteries even if they include real people. However, the email that introduced Ms. Sawyer and her book to me was a fine example of how, I think, request letters should be written. It made a fine attempt at connecting with the reviewer and gave a bit of her writing history, then gave an extended back cover blurb about the book. It also gave me a link to her website. So often I see a short one or two sentence email with the casualness of, “Hey, would you want to read and review my book?” No intro, no blurb, and the author…

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